Tones of Taiwanese: Difference between revisions
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'''Tones of Taiwanese''' | '''Tones of Taiwanese'''. The traditional tone class categorization, named after the tones of [[Middle Chinese]]: | ||
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|8 || light entering (ioong-jip 陽入) || high short || 5ʔ || ah || [[Logkhøf|lok]] 鹿 | |8 || light entering (ioong-jip 陽入) || high short || 5ʔ || ah || [[Logkhøf|lok]] 鹿 | ||
|} | |} | ||
* "level, rising, departing, entering" or "pviaa, siorng, khix, jip" refer to the original [[suosefng|four tones]] of | * "level, rising, departing, entering" or "pviaa, siorng, khix, jip" refer to the original [[suosefng|four tones]] of Middle Chinese | ||
* Not shown: Tone 6 (pitch 22/33) is not widely used. [[Logkarng-khviw|Lukang accent]] still has the 6th tone, which has merged with the 2nd and 7th tones in other dialects of Taiwanese. Tone 9 (pitch 35) is used in [[Japanese loanwords]] and contractions. See [[TRS]] for diacritics. | * Not shown: Tone 6 (pitch 22/33) is not widely used. [[Logkarng-khviw|Lukang accent]] still has the 6th tone, which has merged with the 2nd and 7th tones in other dialects of Taiwanese. Tone 9 (pitch 35) is used in [[Japanese loanwords]] and contractions. See [[TRS]] for diacritics. | ||
[[File:Af, ar, ax, aq, aa, a, ah.mp3|thumb|none|1. ''{{x|af}}'', 2. ''{{x|ar}}'', 3. ''ax'', 4. ''{{x|aq}}'', 5. ''aa'', 7. ''a'', 8. ''{{x|ah}}'']] | [[File:Af, ar, ax, aq, aa, a, ah.mp3|thumb|none|1. ''{{x|af}}'', 2. ''{{x|ar}}'', 3. ''ax'', 4. ''{{x|aq}}'', 5. ''aa'', 7. ''a'', 8. ''{{x|ah}}'']] | ||
[[File:Taiwanese-8Tones.ogg|thumb|none|[[svaf]], {{x|tea}}, [[khox]], {{x|khoaq}}, [[laang]], [[ea]], [[phvi]], {{x|tit}} (shirt, short, pants, wide, person, short, nose, straight; 衫 短 褲 闊 人 矮 鼻 直) ]] | [[File:Taiwanese-8Tones.ogg|thumb|none|[[svaf]], {{x|tea}}, [[khox]], {{x|khoaq}}, [[laang]], [[ea]], [[phvi]], {{x|tit}} (shirt, short, pants, wide, person, short, nose, straight; 衫 短 褲 闊 人 矮 鼻 直) ]] | ||
Revision as of 22:08, 31 October 2019
Tones of Taiwanese. The traditional tone class categorization, named after the tones of Middle Chinese:
| Tone number |
Name | Description | Pitch | MTL | Example |
|---|---|---|---|---|---|
| 1 | dark level (ym-pviaa 陰平) | high | 55 | af | say 獅 |
| 2 | rising (siorng 上) | shouting | 51 | ar | hor 虎 |
| 3 | dark departing (ym-khix 陰去) | low falling | 31 | ax | pax 豹 |
| 4 | dark entering (ym-jip 陰入) | low short | 3ʔ | aq | piq 鱉, aq 鴨 |
| 5 | light level (ioong-pviaa 陽平) | curving tone | 24 | aa | hiim 熊, guu 牛 |
| 7 | light departing (ioong-khix 陽去) | basic tone | 33 | a | chviu 象 |
| 8 | light entering (ioong-jip 陽入) | high short | 5ʔ | ah | lok 鹿 |
- "level, rising, departing, entering" or "pviaa, siorng, khix, jip" refer to the original four tones of Middle Chinese
- Not shown: Tone 6 (pitch 22/33) is not widely used. Lukang accent still has the 6th tone, which has merged with the 2nd and 7th tones in other dialects of Taiwanese. Tone 9 (pitch 35) is used in Japanese loanwords and contractions. See TRS for diacritics.